In some circles it’s cool to hate Dan Brown and all who read his work. In a way I can see why as his stuff isn’t terribly high-brow and his plots are often clichéd and inferior to some of the masters of action novels but Dan Brown’s books still sell in their millions so he must be doing something right. I will say here and now that I am not one of those Dan Brown haters. As long as a book engages and entertains I’ll read it, regardless of who wrote it and what it’s about. I watch ‘leave your brain at the door on the way in’ action films so why not read similarly themed novels?
One criticism I do have of Brown’s work is that it is often formulaic and this is no exception. In fact it’s almost The Da Vinci Code in a slightly different guise as there are many similarities between the books. It’s almost as though Dan Brown’s publisher wanted something quickly so the author changed a few names and locations and gave them back a reworking of The Da Vinci Code hoping that no-one would notice.
I accept that many authors have a style and one can recognise their work by certain plot elements and what have you but this takes the biscuit. Swap Paris for Washington DC, art for architecture, opus dei for the freemasons and you’re basically there. Both books have Robert Langdon in them, both have a strong symbology theme throughout. A female character who blurs the colleague/love interest boundary – check. An evil maniac hell-bent on death on destruction – yep, got one of those. An architectural tour of the city setting – yes, we get a gallop round Washington in this one just as we did Paris in TDVC. In so many ways they are the same book so if you enjoyed The Da Vinci Code you’ll probably enjoy this too, unless you were massively sick of it by the end of that book in which case this may just tip you over the edge.
What else? Oh yeah, as with other Dan Brown books (with the exception of Deception Point which was embarrassingly far fetched) the plot remains on that cusp where you wonder what is fact and what is fiction (and what is a mix of the two) but can’t really be arsed to look into and find out one way or the other. If a lot of what Brown has written about the architecture of Washington is, in actual fact, arse, then it’s done well enough to make it believable. I’m sure there will be various documentaries on the story behind this novel, highlighting any areas where Brown has taken artistic license with the layout of DC and so on in the same way that there were hundreds of cash-in projects that sprang up in the wake of The Da Vinci Code. Expect bookshelves to soon be packed with books on the truth behind masonic symbology and all that sort of crap.
At the end of the day, The Lost Symbol is a decent-paced action thriller novel that follows the same basic model successfully employed in earlier works so while it’s not exactly groundbreaking it’s an entertaining read all the same. Dan Brown has his critics, and this will give them plenty of ammunition, but he also has a whole army of fans who will get a good deal of joy from this book. Me, I’m still sat on the fence refusing to commit to either camp and I’m quite comfy there.
I have come across better novelists but then again I’ve read far worse than this too. Dan Brown has done what Dan Brown does. If you like his other books then read this and you probably won’t be disappointed. If you don’t like Brown’s other work then don’t read this as it will only annoy you. You can’t say fairer than that can you?